Sharon Hayes makes video, performance and installation art that tackles complex questions about history, politics and speech. Her work is staged on the street, in living rooms, and in museums and galleries. She incorporates historical texts and her own writing into her work. She might involve strangers, activists, and fellow artists as performers.
Hayes was born in Baltimore and came of age in a community of queer artists and activists in New York's East Village in the early '90s, where she drew inspiration from feminism and AIDS activism. She received her MFA from UCLA and now teaches in the University of Pennsylvania’s Department of Fine Arts.
In this episode of the UCLA Arts podcast "Works In Progress," Hayes discusses the form love takes in the personal, private, public and political spheres. She’ll also explore that theme on Monday, Nov. 30 in the UCLA Arts-led “10 Questions” public discussion "What Is Love?”
Jenna Caravello makes mind-bending video games, interactive installations and animated short films that use symbolism and metaphor to ask profound questions about memory, loss, and meaning.
Caravello is an assistant professor in the Department of Design Media Arts. And she'll respond to the question “What Is Loss?” as part of the UCLA Arts series “10 Questions: Reckoning,” which brings UCLA faculty from across campus together to examine ten essential questions.
In this episode of the UCLA Arts podcast “Works In Progress,” Caravello talks about creating digital avatars, storytelling in virtual spaces, and what inspires her, from ‘90s video games and “Akira” to European and Soviet animators. More here... (opens in new window)
Few things strike fear into the hearts of college students like the words “organic chemistry." Neil Garg, a distinguished professor and the Kenneth N. Trueblood Endowed Chair in Chemistry and Biochemistry, wants his students to get creative and enjoy learning. His undergraduate class has been one of UCLA’s most popular classes, and he uses a range of innovative and out-of-the-box teaching methods to make what can be a very dry topic more fun and engaging.
Garg will respond to the question “What Is Humor?” as part of the multidisciplinary discussion series “10 Questions.” In this episode of the UCLA Arts podcast “Works In Progress,” Garg speaks about his passion for education and about using humor to get students excited about chemistry. More here... (opens in new window)
As cities adapt to climate change, how should urban planning decisions be made? And who gets to make them?
Kian Goh is an urban studies and climate justice scholar, and an architect. She's also an assistant professor of urban planning at the UCLA Luskin School of Public Affairs.
Goh’s recent research has focused on three cities – Jakarta, Rotterdam and New York – and the pressures – from public officials, community activists or outside bodies – that determine cities’ responses to a warming planet.
Goh will talk about resilience as part of the UCLA Arts series “10 Questions: Reckoning,” which brings UCLA faculty from across campus together to examine ten essential questions.
She spoke to the UCLA Arts podcast “Works In Progress” about the power structures that dictate how cities respond to climate change. More here. (opens in new window)
Social media, like most technologies, is a double-edged sword. It can shrink distance but it can also manipulate our behavior and help disinformation spread like wildfire. It can help us feel connected, but keeps us doom scrolling well past our bedtimes. Ramesh Srinivasan suggests other possibilities in his latest book, “Beyond the Valley: How Innovators around the World are Overcoming Inequality and Creating the Technologies of Tomorrow.”
Srinivasan is a Professor in the UCLA Department of Information Studies and Director of the UC Digital Cultures Lab. He was an advisor to Bernie Sanders’ presidential campaign and to the Biden/Harris campaign. And he’s a panelist for the UCLA Arts discussion series “10 Questions: Reckoning” on Nov. 2, responding to the question, “What Is Hope?” In this interview with Works In Progress, he looks at efforts around the world and in the U.S. to reclaim technology to serve people’s needs, and not unaccountable corporate interests. More here... (opens in new window)
What is the role of the performing arts, while theaters sit empty and large gatherings are banned? That question has been at the forefront for artist and curator Kristy Edmunds. She’s the executive and artistic director of UCLA's Center for the Art of Performance. The public arts organization has been "using every tool at our disposal to find ways to carry things forward [and] migrate what resources we have directly to artists.”
Edmunds will be a panelist at the next “UCLA 10 Questions: Reckoning” event on Oct. 26, responding to the question “What Is Kindness?" For this episode of Works In Progress, she discusses kindness in her work, and the challenges facing CAP UCLA and other performing arts centers during this period of extreme uncertainty. More here... (opens in new window)
Chon Noriega’s interests are wide-ranging, including cinema and television, new media, arts curation, and health policy. He is dedicated to “research that makes a difference" for the community.
Noriega is a professor in the UCLA School of Theater, Film and Television. Since 2002 he’s served as the director of the Chicano Studies Research Center at UCLA.
He’ll join a panel of UCLA faculty to explore the question “What Is Power?” as part of 10 Questions: Reckoning, the live arts-driven discussion series that tackles complex, essential topics of our time. On this episode of Works In Progress, Noriega explores faith and community activism; Latinx representation in museums; and health disparities in communities of color. More here... (opens in new window)
Museums are experiencing a cultural reckoning over race, identity and historical legacy. Black arts workers have been central in calling on museums to be more inclusive of the communities they serve.
Erin Christovale, associate curator at the Hammer Museum, focuses on experimental moving images and visual art. She has helped give emerging Black artists the infrastructural support they need to advance their careers.
In this episode of Works In Progress, Christovale talks about the changing role of the museum in the Black Lives Matter era; why Afrofuturism is relevant today; and the topic of justice, which she’ll be exploring as part of the UCLA event series “10 Questions: Reckoning.” More here... (opens in new window)
The interdisciplinary artist and choreographer Ann Carlson views dance as any conscious movement in time and space. That expansive definition has led her to work with a wide range of participants – lawyers, basketball players, nuns, fly fishermen, college administrators, and a variety of animals – to turn their unconscious gestures into choreographed movements.
She first arrived at UCLA in 2015 when the Center for the Art of Performance commissioned her to orchestrate a dance, part of a body of work she calls The Symphonic Body, and stayed on as a teacher in the Department of World Arts and Cultures/Dance.
She spoke to Works In Progress about her journey to developing her unorthodox approach to dance, her process of creating these large-scale works, and the idea of presence, a topic she’ll be exploring as part of “10 Questions: Reckoning,” the arts-driven initiative that brings UCLA faculty from across campus together to examine ten essential questions. More here... (opens in new window)
Conversations feel especially fraught in this time of political and social division. Choreographer, filmmaker, scholar, and activist Victoria Marks has made a career of orchestrating dances for people one normally wouldn’t see on stage – mothers and daughters, elderly men, combat veterans – for what she calls “action conversations.”
In this episode, Marks, the associate dean of academic affairs for the UCLA School of the Arts and Architecture and a professor of choreography in the Department of World Arts and Cultures/Dance, reflects on the importance of leading by listening; the ‘10 Questions’ event series she co-curates with an arts-led multi-disciplinary approach to exploring essential questions; and how she is making dance in a time of physical distancing. More here... (opens in new window)
Just after we began physical distancing, Jake Matatyaou had an idea: what if every week there was a phone number strangers could call to talk to each other?
"One of the main things that we wanted to achieve was to interrupt or break free from the relentless image economy that we're constantly circulating in," said Matatyaou, a lecturer in the UCLA Department of Architecture and Urban Design, as well as a designer and writer. "Returning to the human voice was something that was really important to us in coming up with this PartyLine."
Matatyaou spoke to Works In Progress about starting PartyLine. He also discussed his interest in slower modes of work ("I'm a big fan of idleness and promote it wherever I can"), and he shared his experience with teaching and working remotely, something he was already very familiar with. More here... (opens in new window)
Two months have passed since the start of “safer at home” and the transition to remote learning. We are still struggling to maintain a sense of normalcy as the novel coronavirus upends much of what seemed normal.
So, imagine being a teacher, in a Zoom class, helping your students try to address or process the anxiety and uncertainty while still teaching the subject of the class.
In this episode, Kevin Kane, director of the UCLA Visual and Performing Arts Education program, also known as VAPAE, reflects on teaching art to high school and college students during a pandemic, and the role arts education played in his own coming of age. More here... (opens in new window)
In the midst of global crisis, how can art and design change our behavior and beliefs?
"I feel that that is a key aspect of my design and my art practice: what can I say that can make you a better human being?"
In this episode of Works In Progress, Rebeca Méndez — artist, designer, and professor in the department of Design Media Arts at UCLA — discusses how her formative life experiences shaped her artistic practice. From family vacations to explore jungle ruins in her home country of Mexico, to being a young gymnast on Mexico's Olympic team who couldn't compete after Mexico withdrew from the games in protest, to being raised by chemical engineers who instilled in her a scientific rigor and love of research that informs her approach to art and design. More here... (opens in new window)
UCLA Arts faculty and adjuncts had to quickly rethink their courses to be taught online because of the novel coronavirus and the UCLA campus closure.
Candice Lin (ceramics), Casey Reas (software design), Gracie Whyte (dance) and Julia Koerner (building construction) teach in the four departments that make up the UCLA School of the Arts and Architecture, and they spoke about how they're overcoming the challenges of remote learning. More here... (opens in new window)
At UCLA right now, one would normally be hearing the robust exchange of ideas in studios and classrooms, sawing and drilling from the fabrication labs, the hum and whir of 3D printers and CNC machines, the spinning of ceramics wheels, feet hitting a dance floor.
But as we all know, that’s not happening. Learning has continued, but it’s changed.
Here, UCLA Arts students share how they are handling the transition from their pre-pandemic studio environments to remote learning. More here... (opens in new window)
Healing practices vary across time and culture. Much of that knowledge has been lost to cultural extinction, but a decades-long effort to save and catalog that information has resulted in The Archive of Healing, the largest database of medicinal folklore from around the world.
Dr. David Shorter, a professor in the department of World Arts and Cultures/Dance at UCLA and the current director of the archive, is set to publish a curated version of the archive later this year.
He spoke to “Works In Progress” about traditional healing practices that can benefit us, especially in a time of widespread sickness and anxiety. More here... (opens in new window)
The novel coronavirus pandemic, like every disease, has shown the stark divides in health care access in this country. Those most likely to get sick are the poor, people of color, and people with pre-existing health conditions.
Alongside modern medicine – the hospitals, doctors and nurses – are more traditional practices of healing. Think of performative rituals that come from Africa, from Haiti, from Latin America and elsewhere. These practices are not peer-reviewed in scientific journals. But they are forms of indigenous knowledge that date back thousands of years, and they take into account the overall wellness of the individual and the community.
Christina Novakov-Ritchey studies folk practices of peasants and villagers in the Balkans. That’s the area of Southeastern and Central Europe where Yugoslavia was until it broke up in the early 1990s. She is a doctoral candidate in the World Arts and Cultures Dance department at UCLA, and spoke to “Works In Progress” about the traditional healing practice of bajanje. More here... (opens in new window)
Artists took to the streets to protest government inaction in response to the AIDS crisis. What lessons can a new generation apply to COVID-19?
Works In Progress talks to David Gere, a professor in the UCLA Department of World Arts and Cultures/Dance and the director of the UCLA Art and Global Health Center. His center sponsors the UCLA Sex Squad -- a theater troupe that teaches young people about sexual health through music, dance and spoken word -- and organized the recent photographic exhibition "Through Positive Eyes" at the Fowler Museum.
Gere moved to San Francisco in 1985 to be a dance critic, and he wrote about theatrical dances and the "choreography of activism" in response to the AIDS crisis in his 2004 book "How to Make Dances in an Epidemic: Tracking Choreography in the Age of AIDS.” More here... (opens in new window)
The city of Los Angeles feels very different than usual. Gone are the large crowds and traffic jams. The trains and buses are mostly empty, as the world has shrunk to the size of our homes and neighborhoods.
Will everything go back to normal once the pandemic is over? Or will we forever move through the city differently? And how might the home change as it replaces the office for many of us, at least for now?
For more on the physical changes that might result from COVID-19, we reached out to Dana Cuff, a professor in the Architecture and Urban Design department at UCLA and the founding director of CityLab, a research center at UCLA that explores urban possibilities through experimental projects. She also co-authored the new book "Urban Humanities: New Practices for Reimagining the City." More here... (opens in new window)
Willem Henri Lucas is a professor in the Design Media Arts department at UCLA. These days he’s in Zoom meetings and classes a lot, catching glimpses into other people’s homes and private lives.
As a consummate collector, he's fascinated with the objects people collect and display in their homes. His downtown LA loft is filled with art, books, masks and other trinkets that he bought at flea markets on his foreign trips.
"What I'm interested in still is what home actually means. In the times that I've moved, I realized it was not just the space that you're in, like the actual building or the actual surrounding, that it's memories and that it's things," Lucas said.
Home and domesticity have been themes of artist and photographer Catherine Opie's work for a long time. She made portraits of lesbians and their families in the series “Domestic,” captured scenes of family and community in the series “In and Around Home,” photographed Elizabeth Taylor’s home and possessions in “700 Nimes Road,” and in her recent series “The Modernist,” her friend and longtime subject Pig Pen appears to be running around LA and setting fire to famous modernist homes designed by John Lautner.
Opie spoke to Works In Progress about her explorations of home, and what being at home means to her now. More here... (opens in new window)
As performance venues across the country were shutting their doors to slow the spread of the novel coronavirus, UCLA’s Center for the Art of Performance decided that the show must go on. On March 16 Ladysmith Black Mambazo, the Grammy Award-winning South African choral group, delivered an incredible performance to an empty Royce Hall auditorium. This is the story of that concert. More here... (opens in new window)
What role should the arts have in the coronavirus pandemic? Peter Sellars is a theater director, MacArthur Fellow, and distinguished professor at UCLA's Department of World Arts and Cultures/Dance, where he’s taught since 1988. His work is often described as controversial and edgy, and he's known for staging traditional operas in radically different settings that offer contemporary messages. He describes his hopes for a global transformation as people slow down, take on climate change, and artists and theater makers adapt to "safer at home."
When times are challenging (opens in new window), how can the arts help us find our way forward? Works In Progress is a project of the UCLA School of the Arts and Architecture, a forward-looking interdisciplinary center for creativity and scholarship. We’ll look at current topics and trends through the lens of art, architecture and design, and explore the ideas and practices of UCLA’s faculty, staff, students and alumni.